Since a long time ago, I’ve been obsessed with the novel Feast of All Saints by Anne Rice. It’s about a young man in the 1840’s French Quarter who has dreams of going to Paris, but who is foiled, in the end by his white father, Philippe Ferronaire, who basically goes back on his promise to send the boy on the Grand Tour in style.Â
My goal, in light of my obsession, was to track down the houses mentioned in the book. I’ve taken four trips thus far to New Orleans; the first three were confounded by the needs and requirements of other travelers I was with, who were not only unable to understand what I wanted to do, but who were unwilling to just go along with it, even for a little while. (And, understandably, they didn’t want to stand in the middle of the street while I tried to read from the novel in my hands and figure it out as I went.)
This last time, I went alone. I walked the streets over and over, taking photographs from every angle, and had the utmost joy in figuring it out. I learned two things: that Anne Rice was consistent with her descriptions of the locations – they all triangulated to the same location for each building. However, she took great liberty in changing the architecture of the buildings, giving them more charm and grace than they actually had. Still it was fun, and I thought I’d share my research with you now.
Before I even got on the plane, I read the book. I wrote down notes each time Ms. Rice would mention a location, such as, “at the corner of thus and such street” or “facing the blah blah blah street.” Then I collated the descriptions for each house or building, and determined from that the physical location on the map. Then, just to be even more anal, I went back through the book (no hardship) and made notations of the pages I found the descriptions on. (This was the version of the book that I used as a reference.)
Too much, you say? Well, I couldn’t agree with you less. This book might abound in POV changes that would make your head spin, but it affected me in the way that few books have. I’m always transported when I read it, and I finally figured out that I enjoy it so much because it is historical fiction, which, I think, gives me permission to write my own. I once stood in line for three hours, with an unread copy of The Witching Hour for Anne Rice to autograph (I eventually gave the copy to a friend) just so I could stand there and say to her, “Feast of All Saints was a damn fine read.” And have her say, in return, looking up at me as if surprised to see me there, “That’s just what my agent said.”
So, now, on to the facts. I’ll present my notes, my thoughts on how they correlate, and then have pictures!
1 – Where Marcel Runs Into Juliette
One morning in New Orleans, in that part of the Rue Ste. Anne before it crosses the Conde and becomes the lower boundary of the Place dâArmes, a young boy who had been running full tilt down the middle of the street stopped suddenlyâ¦.. p 11
This was the street in which he lived, though he was blocks from home, and the woman lived on it also. P 11
â¦as he hurried across the Rue Conde after the womanâ¦. P 12
It took me forever to figure out where the Rue Conde was. I thought, for a long time, that it was the Rue Conti, but then I went and dug up some history. The current street is Rue Chartres, but back in the day, as the Rue Chartres passes the St. Louis Cathedral, it used to turn into the Rue Conde.  Boy did I feel stupid. So where Marcel is, at that exact moment, is at what is now the corner of the Rue St. Anne, and the Rue Chartres. I don’t know which corner, seeing as I could never figure out where Marcel’s old school is, but if he came from a westernly direction, then I assume it was the SW corner. The lower boundary, I figured out, is the “downriver” edge of the Place D’Arms, that is to say, the eastern edge of it, the direction to which the river is flowing.
2 – Ste. Marie Cottage
â¦and the sight of his carriage listing in the narrow Rue Ste. Anne before the Ste. Marie cottage was somewhat regularâ¦. P 13
The Ste. Marie cottage gleamed with respectability beyond its short fence and dense banana trees, a sprawl of magnolia limbs over its pitched roof…. P 14
Lights twinkled beyond, through the thick forest of oak and cypress that rose behind the garconniere, a swamp like growth that divided all the cottages of the Rue Ste. Anne from those of the Rue Dumaine…. P 53
The fenced garden of the Ste. Marie cottage was a swampâ¦(when it rained) pg. 71
â¦a row of airy crepe myrtle trees separated this small court from the path to the back outbuilding where Anna Bella livedâ¦. Pg 196 (Marcel sits looking out the window of his garconnaiere.)
âThe hell she isâ¦â and Cecileâ¦and barely lifting her majestic skirts she marched toward the boardinghouse at the end of the block…. Pg 212 (Marcel goes home when the Englishman is very sick and tells his mother that Mdme. Elsie wants Anna Bella home, and not looking after the Englishman.)
From this we can conclude that the St. Marie cottage is on the Rue St. Anne. That the cottage faces the Rue St. Anne with its back to the backs of the dwellings on the Rue Dumaine – which means that the St. Marie cottage is on the east side of the street. Â That a row of trees separates the St. Marie cottage from the boardinghouse where Anna Bella Munroe lives and works. And that the boarding house is at the end of the block, so the St. Marie cottage is one dwelling over from the end of the block.
(Sadly there is no garden with lakes of puddles in the rainy season, though over the roof line you can see a hint of the  garçonnière, which is where Marcel would reside.)
3 – Anna Bella Monroeâs Boarding House
Thereâs a boarding house in the Rue Ste. Anneâ¦â¦you know the place, right near the Rue Burgundy…Pg 140.
The man heard a voiced saying this is just near the Ste. Marie cottageâ¦.pg 141
â¦as they passed the Ste. Marie cottage â¦pg 142 (on the way from Dolly Roseâs to the Boardinghouse)
This tells me that the boarding house is on the Rue St. Anne. Being “just near” means to me that it is right next door. Since the St. Marie cottage backs up to the Rue Dumaine, then the boarding house does too. And, if you were walking to Dolly Rose’s house from the boarding house, you would pass the St. Marie cottage.
(It doesn’t much look like a boarding house; certainly it’s not big enough to house any gentleman. Nor does it have trees and a garden separating it from the St. Marie Cottage. But the book says it’s right next door so here you go!)
4 – The Cathedral
â¦.he had appeared in the rear pew of the Cathedral, staring at every detailâ¦.p 13
The cathedral is pretty easy to spot, so I went inside and took some photos!
5 – The Place dâArmes
â¦he would wander the Place dâArmesâ¦.p 14
The Place d’Armes is right where it always has been, though historical photographs show it as being without that fence around it. I took pictures of this too.
6 – Juliette Mercierâs House and Christopheâs School
Julietteâs house has âstained wallsâ and âweathered blindsâ , the stained walls are plastered brick …Pg 39
Julietteâs house has three stories…P 39
How dare she retreat in her listing mansion on the corner of Ste. Anne and Dauphine and nail boards over the windowsâ¦.P 15
â¦as he led Marcel, quite to his surprise, down the Rue Dumaine to meet madame Dolly Rose…. Pg 189
Since both Juliette and Marcel live on the same street, the Rue St. Anne, I walked up and down it quite a bit. Her house is, obviously, on the corner where Rue St. Anne crosses the Rue Duphine, but which corner? I looked at all the buildings (already having gotten a sense that there wouldn’t be a brick-for-brick match of Ms. Rice’s description) and made my best guess, based on the idea of something tall, with plastered brick, looking weathered, and that you would, if you went from Juliette’s house to Dolly Rose’s house, go down the Rue Dumaine (down being towards the river, I thought).
(Alas, no house at this particular corner has three stories. However, there was a street a little down the way on Rue Daphine, that had three stories and looked decrepit! I’ll include it here.)
7 – Lermontant House
â¦remark that they might walk home afterward in the same wayâ¦. P 81
Their new Spanish style house in the Rue St. Louis had large lacquered double doors and at night through the floating lace curtains one could glimpse a spectacle of gaslight.â P 119
His immense house in the Rue St. Louis⦠pg 153
Blast the Lermontants and their stupid, stupid house with its stupid lacquered double doors! There were hardly any double doors, lacquered or otherwise, on the Rue St. Louis. And how am I supposed to know what a Spanish style house is? Are we talking classic Spanish, as in from Spain? Or are we talking the New Mexico adobe concept? In the end, I took some wild ass guesses, and lots of photos, and just hoped I had it right. On my last day in New Orleans, I came across this historical house (no time to take a tour!) that somehow fit all of the descriptors, the Hermann-Grima House. I don’t know if it had lacquered doors or not, but it certainly seemed grand enough and large enough for the toweringly tall Lermontants.
8 – Larmontant Undertakers Shop
And over the door of the prosperous establishment in the Rue Royale hung the name of the white man who had freed the long dead Jean Baptists: Lermontant…. P 29
Marie goes along the Rue Royale and ends up in front of the St. Louis Hotel…Pp 117).
Monsieur Rudolphe says âcome across to the shop, out of this heat, at once.â P 118
â¦followed his father across the Rue Royale and into the undertakerâs shop…. P 119  (Indicates that the Lermondant Undertaker Shop is across the street from the St. Louis Hotel. )
A lot of what I learned about the location of the undertaker’s shop is from Marie St. Marie’s walk to and from the office of The Notary Monsieur Jacquemine. On the way home from a dreadful errand, she goes past the Hotel St. Louis, has a fainting fit, and is rescued by Richard and his father Monsieur Rudolphe. They both invite her to step across the street, where the undertaker’s shop is, where she can rest, catch her breath, get some water, get out of the heat.  Only problem is, I couldn’t find a single record of the St. Louis Hotel on the Rue Royale, not even a historical reference. :::sigh::: There is a St. Louis Hotel on the Rue Bienville, now sadly defunct. I’m also assuming that the undertaker’s shop is not a far throw from the Spanish style house on Rue St. Louis – but seriously. With all the other buildings matching up so well, and Ms. Rice has to go throw in this wooden shoe? There was no referent at all, so I picked the most likely looking building for the undertaker’s shop and called it good. Monsieur Rudolphe would call it sloppy!
9 – Jean Jaques Shop
Is on the Rue Burbon p ??? (Can’t find my notes, but I’m pretty sure it’s in there.)
His doors lay open to the bustling street, and the potbellied stove showed a heap of red coals behind him⦠pg 56
A sheet of water still lay at the corner of the Rue Burbon and the Rue Ste. Anne…Ppg 72 (assume that Marcel can see the corner from the front door of Jean Jaques’ shop)
Jean Jaques is the unwitting deus ex machina in this story; it is he who gets Marcel to thinking about who he is and what kind of man he wants to become. I took it that the shop is on the Rue Burbon, and older building, nothing very fancy, because Jean Jaques wouldn’t have wanted anything fancy. So while I felt I had a good idea that it was near or at the corner of the Rue Burbon and the Rue St. Anne, I didn’t have anything to go on from the novel besides that. Â So I did my best and came up with this little gem.
10 – Dolly Roseâs House
...So walking up the Rue Dumaine in the twilight⦠pg 131
But when he reached the block where Dolly Rose livedâ¦p 132
â¦it was only three blocks to her house (three blocks from the Cathedral to the Rue Dumaine where Dolly Roseâs house is) p 182
Dolly Rose is such an interesting character; she’s nobody’s baby, and makes her own decisions, good and bad, and in the end is Marie St. Marie’s saviour. Also, Christophe hisses at Marcel that there is no man alive who can measure up to what Dolly Rose is – she’s worth ten of anybody!! So that probably influenced my opinion of her a bit. At any rate, her house is three blocks from the Cathedral, and I think I’ve lost some notes, but to get there you walk down from Juliette’s house on the Rue Dumaine, or up the Rue Dumaine from the cathedral, so I’m assuming that down is toward the river and up is away from it. (Also, downriver is east, and upriver – the direction from which the water flows – is west, at least on this map.)
(Something I recall when I read about Dolly Rose’s House was the fact that she had balconies from which to toss down the cast offs of lovers she’d dismissed from her presence. Either one of these houses would do!)
The Aunt’s Dress Shop
And with Cecileâs help veritably renovated their dress shop in the Rue Burbon and the long flat in which they lived, above…. P 55
I didn’t go looking for this one, since the only thing I know is that it’s on the Rue Burbon (the infamous Burbon Street, which was one long, continuous block party)
The Notary Monsieur Jacquemine
â¦in the Rue Royaleâ¦.pg 90
The notary is located in the Rue Royale, and Marie St. Marie has to walk past the undertaker’s shop (assumed by me to be near the intersection of the Rue Royale and Rue St. Louis), so Iâm assuming that the notaryâs is west (upriver) from the undertakerâs on the Rue Royale. Since there was no other reference for this, I didn’t go get photos.
Madame Lelaudâs
The Bar Where Marcel Hangs Out
A smoky cabaret along the waterfrontâ¦. Pg 148
This is where Marcel goes when he’s being naughty. I had no luck finding this one at all! All the dilapidated buildings are long gone. I did take some pictures of the Market, which was jolly and festive, in spite of its history of being a slave market.
So there we go. All the books about blogging say that this post is too long! Â But I wanted to share just the same.
Rosalyn Celeste says
Thank you! Thank you! Thank you! I also adored this book and it’s various settings. I have read this book over and over again,and I to am always transported, I read it for the first time when I was fifteen, oi am now 34, and I must read it at least twice a year cover to cover, but read the passages that I love much more frequently. I can see the places, feel the atmosphere and know how the air would smell. My boyfriend and I have 48 hrs in New Orleans and your research will help me make the most of it, I appreciate all the work you have put into this, thanks again:)
Christina E. Pilz says
Excellent! I hope you have a great time in New Orleans. : D
It’s nice to know there are others out there who are as obsessed with this book as I am. The only thing I regret was not having the time to see the Hermann-Grima House at 820 Rue St. Louis. Also, Jean Jaque’s shop at 808 Rue Burbon was spot on and I was desperate to go inside.
Carmen Uter, Founder / Director says
I share your passion for this book, and also for the movie!
Congratulations to Anne Rice for such a wonderful and awesome work of art and contribution to GREAT World Literature!
Carmen Uter.
Christina E. Pilz says
Excellent! I’m glad there are other readers who appreciate this book. The movie took me a while to warm up to, but I do enjoy it, seeing her book come to life.
Thank you for coming by and visiting. : D
Mashell C. says
Wow I can’t believe anybody enjoyed that book as much as I did!! I wish I had the movie I would like to compare. I have read the book three times. I find something different each time. Thanks for the pictures it was nice to get an idea of where everything occurred. I am planning on visiting my friend in New Orleans I will look for those buildings. Thanks again!!
Christina E. Pilz says
Hey, I’m glad you liked the post, and I hope it’s useful for you on your trip to New Orleans. Keep in mind that the locations in New Orleans are based on my best judgment as to the locations in the book, though I sure did have a good time trying to figure it out. Do be sure to go to the Café du Monde for those delicious beignets!
The movie is interesting in the way that it visualizes their lives, but I prefer the images in my head when I read the book.